Story

A set of circumstances makes Vasu, a moneylender, save the life of a policeman, Sivaraman Nayak. But that only leads to Vasu appearing on the radar of a gangster and contract killer, Singana Patrudu.

Vasu is a small time money lender, very much into ruffian business, as a fringe of his profession. He comes across Divya from an affluent family in a misleading train of events, but the two eventually come closer. When Vasu fights a gang in a humanitarian gesture, he falls in the list that they will prey. But further turn of events disclose that Vasu's life story is many layers deeper and complicated than what he shows on the facade. While the villain gang is in search of a nondescript enemy, Vasu gets into deep trouble, as he doubles up as their long lost rival too. How Vasu happens to be the much wanted rival and how he comes out of the vicious circle is the story of 'Poojai'.

Although the story might initially come across as being different, it ultimately ends in the regular masala sort of climax. Almost at every frame, it is predictable as to what will happen next. However the second half is relatively fast paced than the former. There are three significant fight sequences in the film, of which, the one in the factory is planned very innovatively. Art direction has been detailed very well, but all that is failed to be captured in detail in the cinematography. However, Priyan has done a commendable job in the action sequences. 

Vishal plays Vasu, the tough guy who could be softened only by family sentiments. His build compliments his role as an action hero, yet is also convincing enough from his demeanour and the way he has adapted in all frames, that he is a very family oriented person. Shruthi in Divya's role plays her part well, for all the scenes that involve her. The only places that involve Shruthi are that of romance, which is clean for all audience.

Soori as the hero's sidekick does a great job in keeping you in splits every now and then. Radhikaa, Jayaprakash and Sathyaraj play pivotal roles as supporting actors, and predominantly, it is these people that shape the story to its current form. The film has enough songs to classify itself as a proper masala material; but better than the songs, Yuvan scores higher in background score.